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Designs and Origins
Over the 2500 years of its existence, the art of rug-making
has produced a seemingly endless variety of designs. In ancient times,
the weaver would
often take religious symbols or tales of heroic deeds as the subject
matter of his work. Other more purely decorative motifs became closely
associated
with a particular tribe or region. The names of cities like Kashan,
Tabriz and Agra have become indelibly associated with designs that are
recognized
as classic rug styles throughout the world. A tribal design like Bakhtiari
is likewise synonymous with an entire tradition of rug-making that
is characterized by a repeated diamond element.
As time went on, the unceasing activity of cross-continental
nomads and traders caused designs to evolve into an ever-broadening
array of motifs,
continually overlapping and borrowing from each other. When European
traders brought the first Persian carpets back to the royal courts of
the Continent,
the rich and powerful were quick to adopt these exquisite creations
as one of the signature features of aristocratic life. Louis XIII was
so
enamored of the art form that he ordered the formation of the Ecóle
Savonnerie to advance the technique of fine weaving in France. From
this point, Europeans naturally began to develop their own design motifs,
interpreting
and expanding upon the Persian and Chinese designs of the original
imports.
As the 20th century dawned, weavers from Europe to China
began to experiment with more innovative design—from the Arts & Crafts
Movement to Chinese Art Deco, to the leading edge contemporary styles.
From: http://www.nourison.com/NU/7design.asp
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